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"Expozitia" ... "Alexandru Pamfil"..."Daca facem abstractie de piesele monumentale realizate in taberele de sculptura, lucrarile lui Alexandru Pamfil se inscriu unei orientari afirmate in arta romaneasca cu precadere in ultimul deceniu: "plastica mica". Aceasta se caracterizeaza printr-o concentrare a atentiei asupra datelor imagisticii si concomitent asupra celor tehnice. Este ceea ce se intampla in compozitiile lui Alexandru Pamfil. Sculpturile lui sugereaza adesea conflictul dintre om si forte limitative, procustiene, avand uneori accente suprarealiste. Figurativismul lor este pus in valoare de corelarea cu forme geometrice, abstracte, dar si de elemente ce implica trecerea de la planurile tridimensionale - sculptura in ronde-bosse - la basorelief sau chear la cele bidimensionale. O interferenta continua dintre volum si spatiu, inglobarea activa a golului in compozitie (in timp ce formele devin volume epilate) trecerea de la ronde-bosse la relief sunt elemente plastice specifice pentru aceasta etapa a lucrarilor lui Alexandru Pamfil. Atat modelul cat si cautarile in modul de tratare a metalului - efecte de corodare - pun in valoare o bogatie de mijloace plastice folosite de autor."..... Mariana COCOS "Viata libera", pag. 3, Marti, 2 noiermbrie 1993 |
"Alexandru Pamfil's" ... "Show"... "If we overlook the monumental works made in sculpture camps, Alexandru Pamfil's compositions belong in a trend present in Romanian art especially in the last decade: "small plastics". This is characterized by the artist's focusing on the imagistic details and at the same time on technical ones. That is exactly what happens in Alexandru Pamfil's compositions. His sculptures often suggest the conflict between man and limitative,Procustrean forces, sometimes with surrealist accents. Their figuratism is turned to good account by the artist correlating it with geometrical, abstract shapes, and by elements that involve the transition from tri-dimensional planes - sculpture in ronde-bosse - at basereliefs or even bi-dimensional ones. A continuous interference between volume and space, the active introduction of the void in composition (while shapes turn into polished volumes) the transition from ronde-bosse to relief are just several plastic elements specific to this stage in Alexandru Pamfil's evolution. Both the model and the artist's ways of treating the metal - corrosion effects - point to an abundance of plastic means."..... Mariana COCOS "Viata libera", p. 3, Tuesday, 2 November 1993 |
E-mail: alexandru pamfil |