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Sculptorul Alexandru Pamfil... "Lucreaza cu daruire si perseverenta, abordeaza cu indrazneala portretul, compozitia figurativa sau abstracta, relieful, altorelieful, utilizeaza in egala masura materialele care-i stau la dispozitie: ghipsul, lemnul, marmura, piatra, bronzul, duraluminiul. Si ceea ce este mai interesant si demn de retinut, este faptul ca, atunci cand este vorba de metal, isi toarna singur lucrarile, pe care apoi le polizeaza, le da forme definitive. Din ceea ce a expus Pamfil pana acum, din ceea ce am vazut in atelierul sau (si am vazut multe), putem afirma, fara teama de a gresi, ca sculptorul este un nelinistit, un spirit staruitor, aflat intr-o perpetua cautare, isi pune mereu alte si alte probleme, carora le gaseste solutii originale de rezolvare plastica. Demersul sau artistic este al celui care, cu mijloacele proprii sculpturii, configureaza un univers populat uneori de fapturi frumoase, alteori stranii, primele exprimand calm, liniste, bucurie, speranta, celelalte, dimpotriva, neliniste, indoiala, teama. Daca o buna perioada de timp a fost preocupat de portret, realizand o adevarata galerie de personaje ("Mircea cel Batran", "Episcopul Melchisedec Stefanescu", "Mihail Sadoveanu", "Avram Iancu", N. Leonard", "Carturar", "Ancuta", "Sergiu" etc.), in ultima vreme este tot mai acaparat de compozitia semiabstracta, rod al stradaniilor artistului de a exprima framantarile omului contemporan. O serie de lucrari din aceasta categorie se numesc "Umbre", "Dialog", "Metamorfoza", "Duet", "Paravan", "Conflict" si au ca trasatura dominanta o vadita nota de mister, sugerata atat de titulatura sculpturilor, dar si de modul de transpunere plastica. Artistul renunta intr-un fel la formele si volumele rotunde in favoarea celor alungite, unghiulare, fapt care face ca personajele sa para descarnate, usor expresioniste, traducand mai bine tensiunile interioare ale fiintei umane, anxietatea, nesiguranta. Ronde-boss-urile sale sunt epurate de detalii, ele se infatiseaza iubitorului de arta ca o sinteza a datelor esentiale, capabile sa dobandeasca sensuri pe care doar metafora sau simbolul le pot sugera. Urmarindu-si cu tenacitate realizarea crezului sau artistic, apeland la tehnici si materiale diferite, Alexandru Pamfil strabate un traseu estetic ce-l fixeaza in randul celor meniti sa ramana. Despre creatia sa, suntem siguri ca se va mai vorbi, si inca mult." Corneliu Stoica "Scoala Galateana", pag. 8, Ianuarie-Februarie, 1995 |
Sculptor Alexandru Pamfil... "He works with devotion and perseverance, daringly approaches the portrait, the figurative or abstract composition, the relief and alto-relief, uses to the same extent the materials which are available: plaster, wood, marble, stone, bronze, duralumin. And what's more interesting and worth mentioning is the fact that, when it comes to metal, he moulds his works himself, then he polishes them, giving them their final shapes. Starting from what Pamfil has showed so far, from what we've seen in his studio (and we've seen plenty), we can say, without thinking we might be wrong, that the sculptor is a restless, relentless spirit, always searching, wondering why, dealing with problems to which he finds original plastic solutions. His artistic approach is that of a man who, with means specific to sculpture, shapes out a universe populated by sometimes beautiful beings, sometimes strange beings, the former conveying calmness, tranquility, joy, and hope, while the others - restlessness, doubt, fear. If for quite a while he was concerned with the portrait, achieving a genuine gallery of characters ("Mircea cel Batran", "Archbishop Melchisedec Stefanescu", "Mihail Sadoveanu", "Avram Iancu", "N. Leonard", "Scholar", "Ancuta", "Sergiu" a.s.o.), lataly he is been more and more attracted towards semiabstract compositions - the result of the artist's endeavours to express the contemporary man's worries. A number of compositions in this category are called "Shadows", "Dialogue", "Metamorphosis", "Duet", "Screen", "Conflict" and are dominated by an obvious mystery, suggested both by the names of the sculptures and by their plastic transposition. The artist somewhat gives up round shapes and volumes in favour of prolonged, angular ones, which makes characters look fleshless, slightly expressionistic, better translating the inner tensions of the human being, his anxiety and uncertainty. His ronde-bosses are shorn of details, revealing to the art lover as a synthesis of essential information, able to acquire meanings which only metaphor or symbol can suggest. Stubbornly willing to achieve his artistic credo, using various techniques and materials, Alexandru Pamfil is going along an aesthetic route which places him among the ones meant to be remembered. Him creation, we're sure, will be spoken of, quite a lot." ..... Corneliu Stoica "Scoala Galateana", p. 8, January-February, 1995 |
E-mail: alexandru pamfil |